Henri-Pierre Picou(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire | |||
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Venus Pintura Identificación:: 74555 Vea nuestra galería en Suecia |
Venus English: Venus Date Medium Oil on canvas Dimensions 81.9 X 61 cm (32.24 X 24.02 in) cyf English:_Venus_ Date__ Medium_Oil_on_canvas _ Dimensions_81.9_X_61_cm_(32.24_X_24.02_in) _ cyf |
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Ronde De Mai Pintura Identificación:: 74559 Vea nuestra galería en Suecia |
Ronde De Mai Date 1873(1873) Medium Oil on canvas Dimensions 74.9 X 100.3 cm (29.49 X 39.49 in) cyf Date_1873(1873) _ Medium_Oil_on_canvas _ Dimensions_74.9_X_100.3_cm_(29.49_X_39.49_in) _ cyf |
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Birth of Venus Pintura Identificación:: 74561 Vea nuestra galería en Suecia |
Birth of Venus Date 1874(1874) Medium Oil on canvas Current location Galerie Nataf cyf Date_1874(1874) _ Medium_Oil_on_canvas _ Current_location_Galerie_Nataf _ cyf |
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Ronde De Mai Pintura Identificación:: 74563 Vea nuestra galería en Suecia |
Ronde De Mai 1884(1884) Medium Oil on canvas Dimensions 80 X 60 cm (31.5 X 23.62 in) cyf 1884(1884) _ Medium_Oil_on_canvas _ Dimensions_80_X_60_cm_(31.5_X_23.62_in) _ cyf |
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Sea nymphs Pintura Identificación:: 74565 Vea nuestra galería en Suecia |
Sea nymphs Title English: Sea nymphs Date 1871(1871) Medium Oil on canvas Dimensions 61 X 81.2 cm (24.02 X 31.97 in) cyf Title_English:_Sea_nymphs_ Date_1871(1871) _ Medium_Oil_on_canvas _ Dimensions_61_X_81.2_cm_(24.02_X_31.97_in) _ cyf |
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| Artista Previo Próximo Artista | ||||||||||
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| Henri-Pierre Picou | ||||||||||
| (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire | ||||||||||
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